Showing posts with label post-hardcore. Show all posts
Showing posts with label post-hardcore. Show all posts

Sunday, March 11, 2012

Album of the Moment - Fu Manchu's "The Action is Go"


Some music collections are ever-changing, as tastes change or trends come and go.  Most people have short attention spans when it comes to music, save for a handful of favorite bands/artists, a few favorite songs, or perhaps a lone favorite album that they have an emotional connection to.  I, on the other hand, have a largely static collection that merely grows with my ever-expanding tastes and with time.  If I don't like a CD I don't generally get rid of it unless I'm hard up for cash, and that has only happened a couple times.  In 2004, I was hard up enough for cash that I ended up selling off some 200 of my then 600-CD collection.  Shame, really, as many of the CDs I sold off were excellent, and a couple of them will cost me a pretty penny to replace at some point.  One of the discs I regretted selling for so long was Fu Manchu's 1997 gem "The Action is Go".  It's still the only Fu Manchu release I ever owned, but only because I was afraid perhaps their other material wouldn't match up to this album.

So I recently re-purchased this, still sealed for just under six bucks, which I thought was a fantastic deal.  Listening to this again, it's as engaging and enjoyable as I remember it.  Fuzzed out guitar tone that belies the heaviness of the whole thing with driving riffs in some songs, while others have this lackadaisical tempo and tone to them that it feels like just a bunch of guys chilling out while rocking out.  Their music is deceptively simple, in many respects.  Lots of riff repetition, choruses that repeat themselves, or key bits in each song that are easily grasped hooks you can sink your teeth into.  There's a sense of dynamics at work here, however, that is perhaps less obvious at first, or on casual listens.  It's not quite as immediate as the loud-soft dynamic that Nirvana perfected, but along those lines.  Fu Manchu makes their shift in dynamics less polarized, so they don't appear to be quite as "dynamic" in nature.  But rest assured, these guys know what they're doing - they know exactly the kind of song they're writing when they've sparked your interest just enough to reel you in completely by the time the slightly more muscular chorus kicks in and you're tunelessly singing along.

The thing about Fu Manchu is that it's a formula that shouldn't necessarily work but does.  Vocally, this stuff is fairly a-tonal.  Not all of it, but I've heard hardcore punk bands with more melodic sensibility in the vocal lines than this stuff.  But Scott Hill's semi-sung, semi-yelled vocals have a sort of charm to them, so they're engaging nonetheless.  The fuzz guitar tone is fantastic, and though this band belongs to the "stoner rock" genre based on their style, the lyrics of this album belie any substance references in the lyrics, and musically they owe as much to early hardcore punk as they do to Black Sabbath or Candlemass.  It's an interesting marriage of the sedate and the energetic elements of the styles they converge which makes their sound vital.

In any event, I'm glad to finally have this CD back in my collection, and will be on the lookout for a vinyl version.  I'm also interested in scoring a European copy, since that release had 2 bonus tracks which don't appear on the North American release.  This has been spinning in my van's stereo for the last week and will continue to do so for a short while until I move on to other things, but like an old friend coming to visit after years of being away, this album is a welcome visitor to my CD player once again.

Wednesday, November 9, 2011

Hands - Give Me Rest (2011)


When I listen to hardcore, I am usually listening for one of two reasons.  One, I am listening for the primal energy and heart that comes from more old-school hardcore, where it's early punk rock made angrier and heavier because they just needed it to be more in-your-face due to whatever it was they were trying to express.  Two, I am listening for the simplistic heaviness and "oomph" of modern hardcore with its down-tuned guitar sound, overly bassy tones, intense group shouts, and powerful presentation.  And while there are certainly crossovers between early hardcore and what is considered hardcore in today's world, the aesthetics are still often separate between the two.  Hardcore bands of today are often striving to be faster, heavier, and more "brutal" than their hardcore brethren of yore, sometimes neglecting one of the elements that makes hardcore so vital, so intense: unbridled passion.


Now, hardcore isn't the only form of music teeming the passion.  No, there is plenty of passion to go around in nearly all forms of music.  The difference, though, is that sometimes hardcore music can be almost entirely carried by the passion injected in and through it.  Not that hardcore musicians are limited musicians, because many of them create catchy, interesting riffs and songs that stay with you, not just content to simply pummel you with loud audio.  But there are hardcore bands whose musical aesthetic is faceless and nameless, and their acclaim is solely based upon their chosen "platform" or lyrical bent, and the copious amounts of passion they put forth in their work.


Hands 3rd full-length release doesn't suffer from this disease of indistinguishable (or passionless) hardcore, for a myriad of reasons.  First and foremost, while the band started off as a reasonably melodic, passion-filled hardcore band, their earliest material was devoid of any defined personality or lasting impact.  Indeed, "The Everlasting EP", while being a good listen from beginning to end, is hardly memorable.  Its songs are too "samey" and often go on far longer than they need to.  By all accounts, though I don't yet own it myself, "The Sounds of Earth" was a major step up for the band, with a more muscular sounds that retained the melodicism of the EP and brought more atmosphere along with it, as well as more succinct songs.  "Creator" was another step in the right direction, offering better riffs and a more honest, gut-level take on the proto-progressive hardcore the band was attempting to play on their debut.  With "Give Me Rest", the band has thrown away the "hardcore handbook" entirely, creating an altogether unique and engaging listening experience.  While traces of the hardcore-infused sludge/metal are still present, they are tempered with loads of atmosphere and feeling.


Immediately noticeable is the fact that the music presented is so spare.  This is not to be taken as a bad thing following how "Creator" made ample use of guitar riffing and melodic playing.  Rather, it is a seemingly deliberate attempt at making more out of less, as if the simple melodies and instrumental passages were meticulously constructed.  No drum hit or cymbal crash, no bass string pluck or guitar strum is wasted in any way.  Each note is purposeful, doing its job in constructing the bare minimum necessary to propel the song.  That's not to say there aren't a few more complex riffs, because there are.  But those riffs seem to be specifically placed every 2-3 songs to build momentum, only to allow the atmosphere of the surrounding tracks to be the dominant theme.  All instrumental performances here reflect that minimalist ethos, and the album is stronger for it overall.  Of particular note is the drum work by Josh Silbernagel - his rhythms and playing here may seem overly simplistic at first, but it's deceptively so - it makes sense in context of the material and makes for the perfect accompaniment to the bass and guitar, as well as the vocals.


Lyrically, the album is very personal, but not so much that it's difficult to glean meaning or purpose from the songs.  This album appears to reflect a spiritual journey that seemingly starts during a crisis of faith, a point at which the narrator is both wrestling with his own faith and questioning the moral center of the world around him.  The story shifts into a mode of recognizing one's own "filthy rags", then repentance for said indiscretions, then into a somewhat militant view of the world (typical with young Christians judging the world through what they perceive as the eyes of their Creator), and then a more softened perspective at the end, much more at peace and harmony with their faith and their environment.  It's a fantastic journey that is at times tense, other times quite subtle and serene.  Vocalist Shane Ochsner is in fine form here, with both emotive and accurate clean singing, as well as a combination of more hardcore vocal sounds, from a higher pitched scream to a lower toned, more "throaty" growl, reminiscent of the heavier material from "Creator".  His performance on this album is impeccable.


All in all, this is my contender for hardcore album of the year, even though truth be told, it's probably more post-hardcore in aesthetic and execution.  Still, when I have the CD in constant rotation in my van for 2 weeks straight, including a day trip 2.5 hours away from home where I ended up listening to the CD 5 or 6 times in a row on the way home, it's fair to say that once you "get" what this band is serving up, you'll be addicted to this album like I have the last few weeks.  The one caveat I would have is, purchasing the album on CD or digitally is probably the best choice.  I am a vinyl enthusiast and will definitely be purchasing the vinyl version when I get a chance, because the songs here flow so well together and so seamlessly at times, listening to the album from start to finish, uninterrupted is the primo way to experience this opus.  Highly recommended to all fans of hardcore - this is what hardcore music can be when you think outside the box and allow creativity to rule versus merely "following the script".


90/100

Sunday, July 31, 2011

The Gamut - tonight's playlist!!!

Loads of awesome music in tonight's show - as always, a smorgasbord of great tunes to feast on!  After the technical difficulty at the end of last week's show I think I've got things ironed out now so that won't happen again, so tune in at 9 PM EST via http://www.untombed.com to listen in!


Tonight's playlist!
Sympathy - Lord of All Terrors (Death Metal)
House of Wires - Dead or Happy (Synthpop)
Tourniquet - Besprinkled in Scarlet Horror (Progressive Thrash Metal)
XT - The Rock In My Life (Commercial Metal)
Bloody Sunday - The Best Of Me (Hardcore)
Headnoise - They're Trying To Kill Me (Female-fronted Punk)
Winter's Dawn - The Victory: Rapturous Surrender (Black Metal)
Convalesce - Monsters (Metalcore)
Ashen Mortality - Cast the Last Stone (Doom Metal)
Take it Back! - Standing On the Edge Of Hope (Hardcore Punk)
Halcyon Way - Rise to Revise (Progressive Metal)
Loudflower - Can't Change Yesterday (Alternative Rock)
Joy Electric - The Cobbler (Synthpop)
Mad At The World - Dancing On Your Grave (Hard Rock/Alternative)
Lost Dogs - Jesus Loves You, Brian Wilson (Folk/Rock)
Sometime Sunday - Lie (Grunge)
Chicago Is Burning - Fall Into the Sun (Industrial Metalcore)
The Deal - Here Comes the Sword (Punk Rock)
Heaven's Force - Second Coming (Thrash Metal)
Sweet Comfort Band - Armed and Ready (80's Rock)
Disciple - Before You (Groove Metal)
Blenderhead - National Drug (Hardcore Punk)
Believer - D.O.S. (Desolation of Sodom) (Thrash Metal)
Rebelhead - Say It Loud (Groove Metal)
Jacobs Dream - Welcome To My World (Progressive Metal)
Juliana Theory - If I Told You This Is Killing Me, Would You Stop? (Emo/Rock)
Allies - Feather In Your Cap (Rock)
Deitiphobia - Have Mercy (Industrial)
Haven - The Witching Hour (Power Metal)
Bloodgood - Anguish and Pain (Classic Metal)
Danielson Famile - Fruitful Weekend (Indie Pop/Folk)
Titanic - Carnival of Souls (Classic Metal)
Hell Bovine - Why Are You Dancing? (Grindcore/Noise)
Ezra - Tantum Ergo (Death Metal)
Sacrament - Haunts of Violence (Technical Thrash Metal)
After the Order - Fuschia (Alternative Rock)
Savior - See Things (Progressive Rock)
Fall of Echoes - Red Tree (Progressive Hard Rock)
Crystavox - Sacrifice (Commercial Metal)
With Blood Comes Cleansing - Take Everything (Deathcore)
Random Eyes - For Your Love (Power Metal)
The Famine - Ascend (Metalcore/Melodic Death Metal)


Check out the Untombed website @ www.untombed.com !  You can tune in easily via the web-based player on the front page, link to the stream via your regular audio player, read album reviews, get music news, and link up to other great resources, including Divine Metal Distro, your one-stop source for all things Christian rock and metal!  Don't forget, station chat has moved to Untombed.com at the bottom of the site, so make sure you sign up or use a Facebook or Twitter account to sign in and chat w/ me and other listeners during the show!


Alternate links to listen to the stream in a separate player (Winamp recommended, though Real Player, VLC, iTunes and others work as well):
http://207.192.71.70:8000/listen.pls
http://radio.fuhell.com:8000/listen.pls


Here's the link for Windows Media Player:
http://207.192.71.70:8000


Also our stream can now be heard on Nintendo Wii! If you have a Wii, here is what you do:


1.go on the net via your Wii console
2. type "www.Wiihear.com" into your browser address box
3. type "207.192.71.70:8000" into the Search box
4. Click the play arrow


It can take 5-10 seconds to load up & buffer, so please be patient when using this feature :)


You can also stream the station via xyzmp3.com on your PSP, PS3, Wii, iPhone, or even your TiVo!  Plus you can stream the show via your Windows Mobile phone with the free GSPlayer application!  Listen in from your Android device via the "A Online Radio" or StreamFurious applications, as well as the new beta version of Winamp for the Android platform!

Saturday, July 30, 2011

Album of the Moment - At the Drive-In's "Relationship of Command"


I generally dislike it when underground bands get thrust into the mainstream and all of a sudden get showered with popularity all at once. It's usually a sign that they will burn out as quickly as the so-called "music press" lifted them up. Of course, this viewpoint is sometimes one side of the coin, because without said exposure I may not always find out about them. Such is the case with At the Drive-In.


The band went from underground quiet notoriety to front and center on the rock stage when their video for "One Armed Scissor" suddenly fell into frequent rotation on MTV2 back in 2000. That seems to be how most who weren't already "in the know" discovered this band. Unfortunately their meteoric rise only lasted a short while before they came crashing back down to earth. I read a quote in a magazine at that time (Alternative Press, maybe) that described the band as "too punk to be metal and too metal to be punk." While that's not a wholly accurate description, it does capture some of the essence of what this band sounds like. This would best be described as "post-hardcore" but is far more layered than much music that fits that tag, and probably more rocking than most as well. Think of your favorite melodic shoegazer band playing at full speed with screams instead of breathy whispers and you get just a glimpse of what ATDI sounds like. Add the quirky, Cobain-esque nonsensical lyrics and you have a unique listening experience. Thankfully, the band did regroup later into quirky program-rock outfit The Mars Volta, so some of the insanity that was ATDI carried on. But this album is great, save for the possible exception to the lame, faux-creepy intro to "Enfilade" (provided by none other than punk forefather Iggy Pop). It is chock full of goofy imagery and metaphor, melodic yet driving music, and a fairly unique stamp on the scene. I pull this out from time to time and it is a fantastic listen every time.