Showing posts with label punk. Show all posts
Showing posts with label punk. Show all posts

Thursday, September 11, 2014

Repossession: A Christmas Album (2014)


Christmas music is one of those things that you either love or hate, there's generally no middle ground.  Some people, like my boss, can't wait for the day after Thanksgiving, because they can break out the vast array of Christmas-themed CD's and play them to their heart's content without anyone thinking they're strange because of it.  Playing those CD's in the middle of June, however, will usually elicit strange looks.  But for those who love Christmas music, there are hundreds of albums and compilations to choose from to whet the appetite.  For the metal fan, however, there's very little Christmas-themed metal, aside from the occasional single, some Trans-Siberia Orchestra, or the occasional full album of metal by an artist, like Rob Halford's "Winter Songs".

I'm a bit picky when it comes to Christmas music.  If I'm in the mood for it, I really like it and enjoy listening to it, even if it's kind of cheesy.  But I gravitate toward either classics like Mannheim Steamroller's 1st 2 albums, some good old Bing Crosby, or some of the other Christmas-themed music I grew up with.  The idea of hard rock and metal Christmas music is one that I like, but very few bands have done much with the idea, other than a few modern acts like Theocracy or August Burns Red.  There have been some attempts at gathering this material together in the past, like the 2002 Sound of the Dead Records' "A Brutal Christmas - The Season In Chaos" compilation.  That was a good collection of songs, but this new collection takes things to the next level by further diversifying the mix of genres and bands, as well as offering two full-length, long CD's chock full of fun tunes.  We have Metal Blessing Radio to thank for bringing all this goodness together.

This compilation brings together a number of familiar metal Christmas songs, as well as a handful of relatively obscure tracks.  In part, a large percentage of the tracks from "A Brutal Christmas" appear here, as well as tracks previously released as free downloads or EP/album tracks like Theocracy, Grave Robber, Paramaecium, Frost Like Ashes, and Deliverance.  Then there are some bands/artists I've never heard of, like Derek Close, Jonathan Simpson (who gets to open and close the album), Anschluss Amor, and Forfeit Thee Untrue.  Stylistically, this is fairly diverse.  We have everything from shredding hard rock/metal like Pastor Brad or Derek Close, to the gothic rock of Leper, the horror punk of Grave Robber, and the grooving sounds of Faithbomb, to the more extreme, such as the doom death metal of Paramaecium, the melodic death metal of Immortal Souls, the brutal death metal sound of Tortured Conscience, the metalcore of Second Thief, or the black metal of Erlosung or Flaskavsae, or the grindcore of The Right Wing Conspiracy.  There's some more experimental stuff here as well, like Kekal's awesome take on "God Rest Ye Merry Gentlemen", Amelioration's "Redirection Christmas", Anschluss Amor's industrial "Christ's Mass", or the always bizarro Frank's Enemy with "Coventry Carol".  You certainly won't be bored listening to this release.

One thing I noticed immediately is that the volume level is quite low.  That's probably due to the various volume levels these tracks were recorded and mastered at from various sources, so it was a smart decision to "normalize" the songs to a lower volume to accommodate that divergence, and make the listening experience a bit more even across the board.  If you want to crank it, just turn he volume up a little higher and jam out.  One thing I'd suggest to anyone thinking about assembling a compilation of this type in the future - mix up the tracks a bit more if you have multiple tracks by a single band.  It's a bit distracting to hear all 6 Erlosung tracks all in order, even though I know they're all quite short and similarly constructed.  It would have been more interesting to hear those songs interspersed throughout the entirety of the compilation.  Same goes for Second Thief or Pastor Brad - they only had 2 tracks, but it might have been nice to have 1 of each from both respective bands on each disc, just to help improve the flow and keep things interesting.  It's a minor complaint, however.  Also, I have to mention the packaging for the limited first edition digipak - it's a quality double-fold digi with nice hard cardstock as its base, and a nice matte finish.  The cover artwork, as you can see above, is a nice parody of Vincent Van Gogh's Starry Night, and doesn't overwhelm the original work with changes, just subtly gives it a humorous Christmas theme.  The first pressing is hand-numbered, and limited to 300 copies.

The other nice thing here is that the proceeds from the sale of these CD's will go to benefit an organization called MPact Events.  They will be using the money (100% of it, according to the press release I received) to purchase Christmas gifts for kids via the CASA program (Court Appointed Special Advocate) - so these gifts will be going to foster kids who may not get any gifts from their birth parents.  Being that my wife and I spent several years doing foster care and have a heart for kids, I'm on board with this, and this worthy cause is dear to our hearts.  I was blessed to get a review copy of this compilation, but I would encourage anyone out there who is a metal fan and wants some Christmas-themed metal to jump on this, because it's a good cause, and a great deal.  You get 37 tracks of awesome Christmas music for $13 in a stunning digipak that will no doubt become a collectible in the years to come.  I'm not one to push my readers into buying stuff, I just try to give my opinion on a band when I review their CD.  But this is the exception to the rule - fans of metal should be checking this out post haste, and anyone else looking to support a good cause and/or for a Christmas music curiosity for their collection, go buy a copy from the Metal Blessing Radio website.  Highly recommended!

Wednesday, February 29, 2012

The Gamut - music giveaways tonight!!!



The Gamut is back again, and also back are the giveaways!  I've got a CD copy of Rehumanize's "Resident Apostasy" album, a furious collection of grindcore!  Also in the giveaway tonight is a fun little cassette-only EP by Swine Suicide!  You don't want to miss out on the giveaways, so tune in at 9 PM EST and listen in via http://www.sanctusgladius.com !

Tonight's playlist!
A Hill To Die Upon - Adept In Divinity (Black/Death Metal)
Angelica - Walkin' In Faith (Commercial Metal)
Terraphobia - Soldiers of the New Millennium (Extreme Thrash Metal)
AD - Progress (Progressive Rock)
One-21 - Individuals (Punk)
GeistkrieG - Spiral of War (Black Metal)
Docile - Closed Eyes, Opened Arms (Melodic Death Metal)
Teramaze - Once Lost (Progressive Metal)
Forsaken - Dominaeon (Doom Metal)
Nothing's Sacred - The Price Paid In Blood (Grindcore)
Hero - Gasoline (Metal)
Once Nothing - Gunfire Is the Sound Of Freedom (Southern Metalcore)
Swine Suicide - Abolishing the Foundations of Hell (Black Metal) - Cassette Giveaway!!!
Hundredth - Caving (Hardcore/Metalcore)
Havitance - Burial (Thrash Metal)
Circle of Dust - Course Of Ruin (Industrial)
The Throes - Grieve (Alternative Rock)
Our Fathers Were Blind - Banner Bedsheets (Screamo)
Magdalen - Sad Sister Alchemy (Bluesy Hard Rock)
Discern - Grace (Death Metal)
Zaxas - Revolving Door (Power Metal)
The Prayer Chain - Sky High (Alternative)
Trytan - Genesis (Progressive Metal)
Rehumanize - Psychopharmacologist (Grindcore) - CD Giveaway!!!
Audiovision - You Are the Reason (Melodic Metal)
Wrench In the Works - Project AK-47 (Metalcore)
Halcyon Way - Revolution Is Now (Progressive Metal)
Arnion - Obtenetration (Thrash MEtal)
Eowyn - Crashing (Female-fronted Modern Heavy Rock)
Mirror of Dead Faces - The Horde of Swine (Death Metal)
Reflescent Tide - Gluepot (Alternative Rock)
Thresher - Raptor (Thrash Metal)
How To Avoid Art - Control (Industrial)
XT - Carry On (Commercial Metal)
Seventy Sevens - Flowers In the Sand (Alternative Rock)
Oh, Sleeper - To Flagship (Metalcore)
Inevitable End - Dreamsight Synopsis (Technical Death Metal)

Don't forget to visit http://www.sanctusgladius.com during the show to login for station chat
(you can sign in with your Twitter or Facebook account!) and chat with me and other listeners
during the show!

Saturday, August 27, 2011

Vinyl Confessions - Grave Robber releases

I love vinyl albums.  I love the large-scale artwork, the spinning of the album on the platter, and the sound that emanates from my speakers when a record is playing.  I also love the collect-ability of vinyl and how limited edition releases can enhance an artist or band's discography beyond just standard CD's, digital releases, or even cassettes.  Vinyl is the traditional collector's choice of format, despite the arrival of the 21st century and the Internet Age.  While vinyl never went away (the underground rock, punk and hardcore scenes still thrive on this), the mainstream has now embraced vinyl once again.  The problem with this is that most current mainstream vinyl releases are of the "audiophile" variety, i.e. they are overly expensive 180-gram vinyl that costs 2-3 times as much as either a CD or digital release would cost.  Now, I'm all for high-fidelity audio, but I don't think most folks who listen to Nirvana or Metallica are the proud owners of $5,000+ audio systems with $2,000 turntables that contain diamond styli.  I'm certainly not in that camp, and I suspect I'm not alone by a long shot.


So it is with great joy that a vinyl lover like myself can find great deals on classic albums (via thrift stores or second-hand record shops), as well as when current artists release new music on vinyl, whether those releases are included in the original "run" of an album, or whether they are a special or limited edition situation that happens some time later.  Even more fun is when a band puts out a vinyl release that has that extra something special that makes it either more fun, more collectible, or just more desirable to own.  Hand numbering, free digital downloads included, CD-R copies of the release as a bonus, etc.  These are all great features of a modern vinyl release.  But at the end of the day, the vinyl lover has to be satisfied with the purchase of the vinyl album, since the amount of physical space that record takes up has to be worth sacrificing to own it.


Awesomesauce.




Thankfully, the recently issued triumvirate of Grave Robber albums are worth the space on your shelf.  Kudos to Vinyl Remains for flying the indie vinyl release flag, and for issuing these 3 beauties.  Grave Robber's debut album, "Be Afraid" checks in first with new cover art, as well as a delicious golden see-through vinyl.  The band's 2nd album "Inner Sanctum" is released as well, and despite having the same artwork as the CD release, looks great at that size and sports a snazzy see-through red platter.  And finally, the recent compilation "Exhumed" is here, also with original artwork, but in a wonderful bright green see-through record that ties in nicely with the green logo on the front.  In addition, each release includes a 2-sided semi-gloss print that has artwork and album credits printed on them.


The albums sound great in vinyl form, though I am biased because I already enjoy the music contained therein.  My audio setup I usually use (at my office) isn't high-end by any stretch - I have a table-top "retro" stereo unit w/ a top-side turntable and then have a nice set of Logitech speakers plugged into that with great frequency range and response, and a nice subwoofer included in the package.  So while a bit of the "vinyl hiss" is present due to my somewhat lacking configuration, it still sounds great while it's spinning.  The music comes across sufficiently loud like the original CDs do, with no additional mastering evident.  From a sound perspective, these things don't disappoint.  The see-through colored vinyl albums are a treat, and though most indie vinyl re-issues or special editions are released in either colored see-through or the sort of opaque "tie-dye" style nowadays, I am still giddy like a school boy when I see the bright colored records slide out of the sleeves.  The retro graphics styling on the vinyl center portion is also great, giving it that sort of late 50's, early 60's feel.


Don't they just look tasty?!


Here are the few (minor) negative things.  First, they're not numbered.  Yeah, that's a small quibble, but with the indie vinyl market being a specialized as it is, it's always a treat to have them numbered, even if they're not individually so by hand, but if the sleeve mentions how many copies were pressed.  Secondly, there are no lyrics.  Why include nice semi-gloss printout sheets if you're not going to include the lyrics?  It's true that Grave Robber's lyrics are pretty easy to hear and make out, but I still think including lyrics would have been a nice touch.  Third, there's no download option.  This is also a very small issue, but one that should be noted.  If you're going to purchase the full album in vinyl format, it's a good idea to provide a download of the item.  This doesn't affect me personally, because I already own all 3 of these on CD (the 1st and 3rd of which I own in multiple versions), but for vinyl lovers looking for their fix, in today's world, it's also a good idea to include something they can throw on their chosen media player.  I don't consider the exclusion of the band's cover of "Children of the Grave" to be an issue (available on the CD version of "Inner Sanctum") because the vinyl probably wouldn't have had enough space to include it.


Despite my minor complaints, these are a MUST for Grave Robber fans who are also fans of vinyl.  If you already have these albums in either digital or CD format, and you're not a collector or vinyl fan, they're probably not an essential purchase, especially if you don't own a turntable to play them on.  The exception to that rule is if you're purchasing them again to help support the band, to which I say bravo.  Vinyl needs to stay alive for more than just the collector's market (and nerds like me), and this band is too important not to support.  Their message is important, their approach is unique, and everything about their music is done right.  Highly recommended.

Saturday, July 30, 2011

Album of the Moment - At the Drive-In's "Relationship of Command"


I generally dislike it when underground bands get thrust into the mainstream and all of a sudden get showered with popularity all at once. It's usually a sign that they will burn out as quickly as the so-called "music press" lifted them up. Of course, this viewpoint is sometimes one side of the coin, because without said exposure I may not always find out about them. Such is the case with At the Drive-In.


The band went from underground quiet notoriety to front and center on the rock stage when their video for "One Armed Scissor" suddenly fell into frequent rotation on MTV2 back in 2000. That seems to be how most who weren't already "in the know" discovered this band. Unfortunately their meteoric rise only lasted a short while before they came crashing back down to earth. I read a quote in a magazine at that time (Alternative Press, maybe) that described the band as "too punk to be metal and too metal to be punk." While that's not a wholly accurate description, it does capture some of the essence of what this band sounds like. This would best be described as "post-hardcore" but is far more layered than much music that fits that tag, and probably more rocking than most as well. Think of your favorite melodic shoegazer band playing at full speed with screams instead of breathy whispers and you get just a glimpse of what ATDI sounds like. Add the quirky, Cobain-esque nonsensical lyrics and you have a unique listening experience. Thankfully, the band did regroup later into quirky program-rock outfit The Mars Volta, so some of the insanity that was ATDI carried on. But this album is great, save for the possible exception to the lame, faux-creepy intro to "Enfilade" (provided by none other than punk forefather Iggy Pop). It is chock full of goofy imagery and metaphor, melodic yet driving music, and a fairly unique stamp on the scene. I pull this out from time to time and it is a fantastic listen every time.